10 Best Audio Interfaces With MIDI Input in 2026 for Home Studios, Podcasts, and Music Production

If you need one compact device to handle microphones, instruments, and MIDI gear, the right interface can simplify your entire recording setup.

This roundup focuses on dependable, buyer-friendly options for home studios, podcasts, and music production in 2026.

Best 10 Audio Interface with Midi Input Picks for 2026

Studio-Ready 4×4 Value – Behringer UMC404HD 4×4 USB/MIDI Interface

If you want an audio interface with midi input that can handle microphones, instruments, and external MIDI gear, the Behringer UMC404HD is a practical all-in-one option. It offers 4 inputs and 4 outputs, 24-bit/192 kHz recording, and Midas-designed mic preamps, making it a solid fit for home studios that need more routing flexibility than a basic 2-channel interface.

Best For: Musicians and home recordists who need four channels of input plus MIDI I/O for a more flexible small studio setup.

Pros:

• 4×4 USB 2.0 audio/MIDI interface with 1x MIDI I/O
• 24-bit/192 kHz resolution for high-quality recording
• 4 MIDAS-designed mic preamps with +48V phantom power
• Built-like-a-tank metal chassis for durable desktop use

Cons:

• Larger and heavier than simple portable 2-input interfaces
• Best suited to users who will actually use the extra I/O

Overall, the UMC404HD stands out if you need MIDI connectivity alongside multiple mic and instrument inputs. It is a strong value pick for recording setups that want better expandability without moving into a higher-end price tier.

Portable Streaming Pick – M-AUDIO M-Track Duo Compact USB Interface

The M-AUDIO M-Track Duo is a compact choice if you need an audio interface with midi input alternatives elsewhere in your setup and want a simple USB interface for recording vocals, guitar, or streaming. It focuses on easy operation, with two combo XLR/line/instrument inputs, 48 kHz resolution, and zero-latency monitoring through a USB/Direct switch.

Best For: Beginners, streamers, and podcasters who want a lightweight 2-channel interface for quick recording and monitoring.

Pros:

• Two combo XLR/line/instrument inputs with phantom power
• 48 kHz audio resolution for everyday recording
• USB/Direct switch supports zero-latency monitoring
• Includes MPC Beats software for production start-up

Cons:

• No MIDI I/O listed in the supplied details
• Limited to 2 channels, so it is not ideal for larger sessions

In practice, this interface makes the most sense when portability and simplicity matter more than expanded connectivity. It is a straightforward entry-level option for basic recording, podcasting, and live streaming.

Flexible 4×4 Workhorse – Behringer U-PHORIA UMC404HD 4×4 USB/MIDI

The Behringer U-PHORIA UMC404HD is a strong fit if you’re shopping for an audio interface with midi input and want more routing options than a basic starter model. With 4 inputs, 4 outputs, 24-bit/192 kHz conversion, and MIDAS-designed mic preamps, it is designed for recording microphones and instruments with low-latency performance.

Best For: Recordists who want a 4×4 USB interface with MIDI I/O for more complex home or project studio setups.

Pros:

• 4×4 USB 2.0 audio/MIDI interface with 1x MIDI I/O
• 24-bit/192 kHz resolution for professional-grade recording quality
• 4 MIDAS-designed mic preamps with +48V phantom power
• Metal chassis is built for durability

Cons:

• Heavier and less portable than compact 2-channel interfaces
• Windows support is the only operating system listed in the supplied details

If you need extra I/O and MIDI connectivity in one box, the UMC404HD remains a practical studio tool. It is best suited to users who will make use of the added inputs, outputs, and routing flexibility.

Best Value Starter Interface – PreSonus AudioBox 96 USB Interface

The PreSonus AudioBox 96 is a useful pick if you need an audio interface with midi input and want a compact, bus-powered unit for portable recording. It combines two Class-A mic preamps, two instrument inputs, MIDI I/O, and 24-bit/96 kHz conversion, making it a versatile starter interface for small recording setups.

Best For: Portable home studios and beginners who want a simple 2-channel interface with MIDI I/O and bundled software.

Pros:

• 2-channel USB interface with MIDI I/O
• 2 Class-A mic preamps and 2 high-headroom instrument inputs
• 24-bit/96 kHz converters with zero-latency monitor blending
• USB bus-powered design is easy to take on the go

Cons:

• Only 2 channels, so it is not built for larger recording setups
• Maximum sample rate is 96 kHz, lower than 192 kHz competitors

Overall, the AudioBox 96 is a balanced choice when you want MIDI connectivity, portable operation, and an easy entry into recording. The included software bundle also adds value for users building a first studio.

Large-Channel Studio Hub – Behringer UMC1820 18×20 USB/MIDI Interface

If you need an audio interface with midi input for a bigger recording setup, the Behringer UMC1820 is built around volume and flexibility. It offers 18 inputs and 20 outputs over USB 2.0, along with ADAT I/O, 8 MIDAS-designed mic preamps, and 24-bit/96 kHz conversion for multi-track sessions.

Best For: Home and project studios that want lots of I/O, MIDI support, and multiple mic inputs in one unit.

Pros:

• 18 inputs and 20 outputs give you room for multi-source recording and monitoring.
• Built-in MIDI I/O adds keyboard and controller connectivity.
• 8 MIDAS-designed mic preamps with +48V phantom power support microphones well.
• Compatible with popular DAWs like Pro Tools, Ableton Live, and Cubase.

Cons:

• Its larger channel count is more than many simple solo or duo setups need.
• It is a heavier, rack-sized unit rather than a compact desktop interface.

The UMC1820 is the practical pick when your sessions are growing and you need an audio interface with midi input plus plenty of analog and digital expansion. It focuses on connectivity first, making it a strong choice for users who want to record more sources without immediately outgrowing their interface.

Compact Creator Hub – Focusrite Scarlett 4i4 4th Gen USB-C Interface

The Focusrite Scarlett 4i4 4th Gen is a streamlined audio interface with midi input for writers, producers, and small setups that want modern recording features without extra bulk. It combines two 4th Gen mic preamps, two Hi-Z inputs, four line inputs, four line outputs, and MIDI I/O with up to 24-bit/192 kHz conversion.

Best For: Small studios and producers who want a compact USB-C interface with MIDI and flexible input options.

Pros:

• Includes MIDI I/O alongside mic, instrument, and line connections.
• Two 4th Gen mic preamps and two Hi-Z inputs suit vocal and guitar recording.
• Auto Gain and Clip Safe help manage levels during tracking.
• 120 dB dynamic range and Air mode add useful recording polish.

Cons:

• It is a 4-in/4-out interface, so larger rigs may need more channels.
• Best software bundle features are useful, but the interface itself stays focused on compact setups.

The Scarlett 4i4 4th Gen stands out as a well-rounded desktop option when you want an audio interface with midi input and enough connectivity for a small but serious studio. Its feature set is practical rather than oversized, which makes it easy to integrate into everyday recording workflows.

Budget Recording Workhorse – Behringer UMC204HD 2×4 USB/MIDI Interface

The Behringer UMC204HD is a straightforward audio interface with midi input for smaller recording setups that still need solid converters and practical routing. It pairs two combination XLR/TRS inputs, MIDI I/O, 24-bit/192 kHz resolution, and USB 2.0 connectivity with analog playback options and insert points for external processing.

Best For: Solo musicians, podcasters, and small studios that want a simple USB interface with MIDI and high-resolution audio.

Pros:

• Built-in MIDI I/O lets you connect keyboards and other MIDI hardware.
• Two combo XLR/TRS inputs handle microphones, instruments, and line sources.
• 24-bit/192 kHz converters provide high-resolution recording support.
• Analog inserts add flexibility for compressors, gates, and EQ.

Cons:

• Only two inputs, so it is not suited to larger multi-mic sessions.
• Its feature set is basic compared with bigger interfaces that offer more channels and routing.

The UMC204HD keeps the focus on the essentials, making it a good fit if you want an audio interface with midi input without paying for extra channels you may not use. It is a compact, practical choice for straightforward recording and hardware integration.

Compact Creator Pick – Focusrite Scarlett 2i2 4th Gen

If you want an audio interface with midi input in mind for a simple desktop setup, the Scarlett 2i2 4th Gen is a strong two-channel option for recording mic and guitar sources over USB-C. It focuses on clean capture, easy level setting with Auto Gain, and enough included software to get started quickly on Mac, Windows, and even iOS devices.

Best For: Solo musicians and home-recording beginners who want straightforward mic and instrument recording with polished software extras.

Pros:

• 2 mic preamps and 2 Hi-Z instrument inputs for mic and guitar recording
• 120dB dynamic range with 24-bit/192kHz conversion for studio-quality capture
• Auto Gain and Clip Safe help set levels and prevent clipping
• Includes Pro Tools Intro+, Ableton Live Lite, Cubase LE, and Hitmaker Expansion

Cons:

• Does not list MIDI I/O in the supplied specs
• Only 2 input channels, so it is not built for larger recording setups

Overall, this is a practical choice if you value sound quality, easy gain management, and a bundled software package over extra routing features. It suits creators who mainly need reliable mic and guitar recording in a compact interface.

MIDI-Ready Recording Choice – Mackie Onyx Producer 2X2

If you specifically need an audio interface with midi input, the Mackie Onyx Producer 2X2 stands out because it includes MIDI I/O alongside 2-in/2-out 24-bit/192kHz recording. It keeps the layout simple while adding the extra connectivity musicians often want for keyboards, controllers, or other MIDI gear.

Best For: Musicians who need compact recording plus MIDI connectivity in a portable, bus-powered interface.

Pros:

• Includes MIDI I/O, which is the key feature for MIDI-based setups
• Two Onyx mic preamps with 48V phantom power for condenser mics
• Zero-latency direct monitoring with dedicated outputs and headphone out
• Bus-powered USB 2.0 design makes it easy to travel with

Cons:

• Only 2 inputs and 2 outputs, so expansion is limited
• Focused on core recording features rather than extra workflow tools

This model is the most relevant pick here if MIDI connectivity is a must-have. It pairs that feature with clean preamps and a durable, portable build, making it a practical option for small studios and mobile recording rigs.

Streamer-Friendly Hybrid Pick – MAONO P1 USB Audio Interface

The MAONO P1 is a flexible audio interface with midi input alternatives in mind for creators who want computer-and-phone workflow rather than traditional studio expansion. It is designed for streaming, podcasting, and music recording with dual USB connectivity, Auto-Gain, loopback, and direct monitoring for a fast, low-fuss setup.

Best For: Streamers, podcasters, and mobile creators who want easy routing and recording across phones, tablets, and computers.

Pros:

• Dual USB ports with MFi-certified connectivity for computer and mobile use
• Up to 70dB gain and -130dB EIN for quiet recording with dynamic mics
• Auto-Gain, loopback, and stream mode simplify streaming and routing
• Direct monitoring plus independent headphone and monitor mute controls

Cons:

• Supplied notes do not list MIDI I/O
• Best suited to creators who need routing features more than traditional multi-input studio expansion

For content creators who prioritize flexibility, the P1 offers a lot of useful control in a compact metal body. It is especially appealing if you record across multiple devices and want built-in tools to manage levels, loopback, and live monitoring.

How We Picked the Best Audio Interface with Midi Input

We prioritized interfaces that offer practical connectivity, solid driver performance, and good value for real-world recording. For an Audio Interface with Midi Input, that means clean mic preamps, usable input/output counts, straightforward setup, and stable USB or USB-C connections.

We also looked at whether each model suits solo creators, small bands, or expanding desktop studios, since the right choice depends as much on workflow as on specs.

Quick Comparison

For simple voice and guitar recording, a 2-in/2-out interface is usually enough. If you need to connect outboard synths, drum machines, or multiple microphones, step up to a 4-in/4-out or larger model. Bigger channel counts and ADAT expansion make sense when your setup is likely to grow.

USB-C models tend to feel more current and streamlined, while older USB interfaces can still be excellent if the feature set matches your needs. MIDI I/O is most useful when you regularly work with hardware controllers or external instruments.

Key Buying Factors for an Audio Interface with Midi Input

Inputs and Outputs

Match the interface to your recording style. Solo creators can stay compact, but anyone tracking multiple sources should look for extra line inputs, balanced outputs, and direct monitoring options.

MIDI Connectivity

Check for standard 5-pin MIDI In and Out if you plan to sync keyboards, pads, or modules. Some entry-level models skip MIDI entirely, so verify this detail before buying.

Mic Preamps and Headroom

Clean preamps matter more than flashy specs. Better gain range and lower noise help with dynamic microphones, spoken-word recording, and quiet sources.

Latency and Driver Support

Low-latency monitoring is important for vocals and virtual instruments. Reliable drivers often matter more than raw sample-rate numbers.

Expansion and Future Growth

If you expect to add more gear later, look for ADAT, extra line inputs, or higher channel counts. That can save you from replacing the whole interface later.

Who Should Buy Which Audio Interface with Midi Input?

Choose a compact 2-channel model if you mainly record one or two sources at a time. Pick a 4-channel interface if you want more flexibility for microphones, synths, and small ensemble sessions. Go larger if you are building a hardware-heavy studio or need room to expand.

If you want the best balance of simplicity and versatility, focus on interfaces with MIDI, dependable monitoring, and enough I/O for your current setup plus one step of future growth.